A Sneak Peak

Prologue: Margaret

Just when she thought she and mom were going home, the Redemption Brigade came for them. Margaret didn’t understand who they were at the time because she was only seven, and up until that day she had always assumed that all humans were friends, could never hurt one another or shoot one another. Only the rippers were evil. Only the night needed to be feared.

Margaret enjoyed their adventure to Chicago until that day, seeing the huge buildings and playing with the kids of the Brat Pack at St. Mike’s. They were the orphans of Chicago, and for a few days while her mother was off killing rippers, Margaret stayed with them and their sort-of mom, Helen, a really old lady who smiled a lot, and their sort-of dad, Emile, a smelly fat guy who laughed a lot and showed them how to shoot. He even let her take a turn with a small handgun. She missed the target, a board with a bunch of circles painted on it leaning up against an empty old house, but he gave her two more tries, patiently instructing her on how to hold the gun until she hit the second circle.

The church was amazing. She’d never seen carving and painting like that. Some guy in a black robe came and told the children all about God, but Margaret had already been warned by her mother and Uncle Jeff not to mention the 1000 Souls, that these Chicago people weren’t believers yet and were afraid of Ericsians. Margaret also found it weird that while they were near anyone from Chicago, she was supposed to pretend that Kayla was her mom. After some big battle her mom won, they moved away from St. Mike’s and into a huge building, the Merch Mart it was called, but she wasn’t allowed to go exploring through the empty stores or offices, and there were no other kids there, so it was really boring. All she could do was look out the windows at the big city that spread all around them, miles and miles of empty buildings. One night flares popped high and there was a lot of shooting around the bridges over the river, but she only watched it for a few minutes before Uncle Jeff found her by the window and took her to the safe ammunition room on the north side of the Mart to sit with a couple of others and stuff bullets into magazines. She was very good at it, one of the fastest.

While all this was exciting, she was homesick for the familiar crowds of St. John’s Keep and the open fields and forests of Canada. Everyone in Chicago seemed very tense up until the party day, the kissing day.  That was the best and worst day of her young life.

She was old enough to know that they’d won some big battle with the rippers, that they were all dead. She thought that meant every ripper in the world was dead, that the war was over for good. People danced and hugged and kissed in the morning light in front of the church. She hugged and kissed each one of her new friends in the Brat Pack, and she was especially pleased when Collin, the big boy, a full thirteen-years-old and a messenger to her mom, gave her a kiss on the forehead and an awkward hug. She treasured that memory for years. She loved him.

But her mom was all worried and angry about something. They rushed from the party at St. Mike’s back to their camp in the Merch Mart and started packing crazy fast.

“We’re going to go on a big plane,” said her mom. “We’ll be back home the day after tomorrow.”

But the Redemption Brigade arrived in their trucks with their guns and surrounded the building, wouldn’t let them out, told them to surrender.

Margaret had heard a lot of gunfire in her young life, but never in daylight, and never a battle between humans. There was nowhere for her to hide like in St. John’s, where they always sent them into the mine if things got really scary. Even the ammunition room wasn’t safe because windows facing north were hit with bullets too. They could only tuck her into a corner of a corridor behind some filing cabinets, where she filled magazines as fast as her little hands could jam in the bullets. People rushed out of the haze of gun smoke and grabbed full clips from her in panic, dropping off their empties. Some people were dragged past her back from the barricade with bullet wounds, some dead. Helen, the nice old lady who took care of the Brat Pack, stayed with her until dark. Her mom joined them for a moment, blood running down her cheek from a cut, her face a thunder that warned Margaret not to dare to argue.

“Helen’s going to take you to the big plane. I’ll be right behind, okay, baby? Just remember mommy loves you very, very much. Be quiet with Helen though, okay? No crying. These evil ass…the Redemption Brigade, the bad people, mustn’t know that we’re sneaking away, okay? And some are on the bridge at the river. You’ll have to swim, but nice and quiet, okay? Quiet as a mouse.” Her mother gave her one last desperate hug and smeared her blood on Margaret’s cheek when she kissed her.

Helen carried her through the wreckage of a building in the dark while all the gunfire only got worse behind them in the Merch Mart. They crossed a narrow foot bridge and had to slide down some piles of broken building to the ground because the stairs were gone. She got a lot scraps and a nasty cut, but she kept silent as her mother asked, telling herself to cry on the inside. When Helen reached the river not far from the bridge, she stopped and waited. Margaret assumed they were waiting for her mother to catch up.

Kayla and her new boyfriend joined them instead, and they all slipped quietly into the cold water together, but something went wrong. Margaret’s head went under and she couldn’t breath. Suddenly Helen pushed her into Kayla’s boyfriend’s arms. He carried her out of the river, but Helen just disappeared in the dark water. It was too bad. Margaret liked her.

The plane was huge! She’d never seen anything so big. Kayla called it a Herc. It wasn’t really comfortable inside though because there were only benches to sit on, but there was a lot of space for running around. Kayla told her it wasn’t really a passenger plane, that it was for stuff.

They made her sit while the plane took off, but once it was in the air Margaret went looking for her mother. She walked up and down the benches, checking each face carefully a second time as if she might have missed her by accident. Uncle Jeff wasn’t on board either. She even went up to the cockpit, but only Milan, the man who always brought candies for the kids when he flew into St. John’s, was driving the plane. He turned from all the controls and smiled at her, but it was a sad smile.

Margaret walked very slowly passed everyone back to Kayla, slowly because she didn’t want to believe that her mother wasn’t on the plane. She stood in front of Kayla, who had tears on her cheeks. Kayla wiped them quickly when she realized Margaret was standing in front of her.

Margaret didn’t ask. She didn’t have to. She just stood in front of Kayla and waited to hear the worst.

Kayla shook her head. “I’m sorry, honey. I’m so, so sorry. Your mommy’s gone. She was killed by the bad guys.” She pulled Margaret into her lap.

They wept together. Even Kayla’s boyfriend, Tevy, wept and patted Margaret’s shoulder many times, promising that they would take care of her forever. Kayla tried to clean the blood from Margaret’s cheek, but that was her mother’s blood. Margaret never let anyone clean that blood, but it wore off anyway, severing her last connection to her mother. Margaret finally let herself fall asleep, hoping that it would all be a bad dream, that her mother would wake her from her bed in their room at St. John’s.

She woke when the plane landed and wept some more, but they had to hurry onto a bus and headed out even before sun up. Kayla told her to go back to sleep, but before she drifted off a little fire took hold in her soul, an anger, a rage. It grew while she slept.

She woke in the afternoon, the sun on her side of the bus making her hot. She remembered a question that she desperately wanted answered, a question the angry Margaret wanted answered.

“Who killed mommy?”

“The Redemption Brigade,” said Kayla.

“Bobs,” said her boyfriend at the same time.

Margaret whispered those names to herself again and again during the long drive home. “Bobs and the Redemption Brigade.” She stared out at the forests sweeping past, her head pressed against the bus window so that she could see better in the bright sunlight. “Bobs and the Redemption Brigade.”

She vowed that when she grew up, she would kill them all. For mommy.

Copyright 2013 Michael Andre McPherson All rights reserved.

Flux and Chaos at World Fantasy Convention

World Fantasy in Toronto

World Fantasy Convention in Toronto was sparklingly well organized, and I had a great time, but I was surprised to hear these two words popping up repeatedly: flux and chaos. I first noticed them during the eBooks panel, which was packed.

I attended this panel expecting to hear the usual: eBooks are evil, they’re a fad, we need traditional publishers as “gatekeepers,” a paternalistic and condescending concept. Instead, I heard industry professionals state that eBooks are here to stay, and that the publishing industry is in a state of flux and chaos. One of the panelists expressed the desire to leap ten years into the future so that he could again live in a stable world, although I did get the impression that he would’ve been even happier to jump twenty years into the past.

But what really caught my attention was what Betsy Mitchell, a former Del Rey editor, thought of the eBook revolution. To my utter astonishment she stated that this is a wonderful and exciting time for writers and readers. She expressed delight that cross genre work that would never have been accepted by the rigid guidelines of most publishing houses was now getting out and finding audiences and success thanks to eBooks.

You could have knocked me over with a feather. An industry pro I’ve long respected and admired says she loves the eBook revolution. This is a huge change over two years ago, when the vitriol expressed by most authors and editors over the mere existence of eBooks, let alone the impudence of indie-authors to by-pass the publishing industry and its sanctified gatekeepers, was way over the top when opinions were expressed at all. Indeed, I attended the Ad-Astra eBook panel in 2010 and found that only three of the five panelists and four audience members even bothered to attend. And if that wasn’t an indictment of eBooks, two of the panelists spoke with concern about who the gatekeepers would be in this new electronic format.

The words flux and chaos continued to pop up throughout the weekend, especially at a panel on the future of cover art. Several great illustrators on the panel all expressed concern about their future in a market that is in a state of flux and chaos. A couple of them say they are looking for alternate sources of revenue since the traditional publishers are commissioning less and less cover art. When I asked near the end of the panel if any indie-pubbers had contacted them for cover art, the moderator dismissed me out of hand, stating that a whole new panel would be required to deal with that question. He added that self-pubbers have “no idea how to commission cover art.” Perhaps that was his way of saying I couldn’t afford him. To which I respond: the publishing world is in a state of flux and chaos. You can resist it or profit from it. Educate us. There are more covers out there than ever. There is opportunity.

The Undead Blog

Abandon hope all ye who enter here.

Blogging requires commitment, and all the experts warn me that abandoning a blog for a month or more is the kiss of death. Stupid experts. Okay, maybe they’re right, but last month I had to decide how long I was going to make my fans wait for book two of the 1000 Souls series. I was overdue, buried with work, and the kids were getting out of school for the summer.

So I decided to stop blogging until the novel was finished. It was ‘finished’ on July 4th, but I’ve been in editing and re-writes since. Now it’s so finished that it’s off to the editor and out of my hands until he’s done. Alas, my editor just gave his publisher two weeks notice and (being the conscientious guy that he is) he’s busy wrapping up his day job until July 27th. The good news is that means he can edit like crazy the next week, no day job in the way.

But that means that I must again push the publication date, this time to mid-August, a month and a half late. The good news is the cover artist is just about ready, and the cover looks great.

The other good news is that I’ll have lots of time to blog, and I’ve lots to tell you about, actually warn you about, regarding one too many free days and Amazon’s promotional algorithm.

Good thing I’ve got another novel coming out.

Finished

I could have written this post a week ago, but summer got in the way. I’ve finished book two of The 1000 Souls. Yes, I’m being cagey about the title until I have it published, but my fans already know.

Revisions are going well, and I hope to be able to turn it over to the editor in just a few days. He’s fast, so if all goes well we’re looking at a launch date of July 20th, 2012. Thanks to all those who have e-mailed asking when book two is coming out, and thanks for your patience. I know I’m three weeks late, but I think you’ll be happy with the results. I’m pumped.

As for summer? Kids out of school. Warm weekend in Muskoka at a friend’s cottage with many other kids. Swimming, water fights, capture the flag and even tubing. Scraped knees, racoons, a deer leaping through the forest, and a blown radiator less than seven kilometers from our second destination. Tow Truck. Car in shop. Swimming at a beach on a river. Running around with the cousins.

All in all, pretty damn exciting. I think the kids are having fun too.

Committed, or Should I Be Committed?

I'm the guy kneeling on the left

The second craziest thing I’ve done in my life is to sign up for the Ottawa Marathon, which will be my second marathon race in less than a month. But when I get an idea in my head, it’s like a worm that burrows deep into my brain, chewing up all common sense along the way.

Like when it comes to writing. I got in on the early days of the film industry in Toronto, working my way from office production assistant to unionized camera assistant in less than six months. The smart thing to do would have been to upgrade asap to focus puller, camera operator or director of photography. I know that because I have friends who went that route.

But I had it in my head that I wanted to be a writer. So I shunned opportunities to upgrade and took B-Camera on shows like Due South so that I would only have to work two or three days per week. I spent the other days researching, writing and editing. Most of my friends in film think I should be committed to an insane asylum, and certainly they’re right in that my bank account would be much fatter if I’d gone full throttle in film the way I do for writing.

But that little worm ate away all common sense when it comes to my career, and so here I am, still writing and now publishing. Today I met with a new cover artist, and I’m charged about a concept that can carry across all five books in the 1000 Souls series. The artist is one talented guy and I can’t wait to see what he produces. I’m still excited about my writing, and I can’t wait for my fans to read the next installment because I’ve had so much fun writing it.

So my car may be old, my house only partially renovated, and I don’t have all the latest toys, but I still love writing. When I have doubts about my career choices, I remind myself that most people don’t enjoy their work.

Oh, as for the craziest thing I’ve ever done. I was writing a novel about Afghanistan (before 9/11 changed everything), and I got it into my head that it would be easier if I visited the country to get a feel for it. It was like a worm that got into my head and ate out all common sense.

That’s me kneeling on the left of the photo. Shameless bragging? You bet. How many people can say they traveled with the mujahideen? That’s just crazy.

 

Does the World Need Another Vampire Apocalypse Novel?

Vampire novels are everywhere.  You can find them in bookstores, at the library and on the electronic shelves of every eBook retailer.  They’re populated with sexy vampires, conflicted vampires and murderous (as opposed to vegetarian?) vampires.  The blood suckers can be found in space, alternate universes and historical fiction.

So why am I launching a vampire apocalypse novel now?  I first thought of  the idea of vampires having a communicable disease back in the eighties, but that theme is so ubiquitous now that it’s now far from an original concept.  My novel is a unique approach, but so are a lot of novels in the genre, those that aren’t simply quick rip offs of Twilight.  I could also point out that vampires are still hot, that the majority of the eBook reading public is under thirty years old and that there’s always room for one more vampire, but it’s not really why I wrote this novel.

It’s all about the 1000 Souls.  I came up with this concept, this new religion, when I met a Russian in Bokhara, Uzbekistan.  The man owned a small hotel.  He was smart, professional and a master at supplying  tourists with everything they could need at fair prices.  He reminded me so much of a South African caterer in Canada that I was stunned.  It was as if the two men had the same soul, even though their DNA had taken very different routes down through evolution.  These men didn’t look at all alike, but they were  the same guy in different bodies.

So as I wrote my vampire novel, the religion of Erics (yes,  plural) and the 1000 Souls was born, the concept that there are only 1000 souls spread between 7 billion humans.  Ever meet someone and swear you’ve met them before even though it’s not possible?  Well maybe you have, but you were shaking hands with a different host body for the same soul.

So each living human’s body is playing host to 1/seven millionth of a soul, meaning you could meet quite a few people with the same soul.  It also means that the souls are pretty thinly spread, which is where the vampire apocalypse comes in.  Kill off billions of people, and the remaining host bodies now contain denser souls.  This makes their human hosts more passionate and daring than our thinned-souled present day humans.

Confused?  Like any religion, the devil is in the details.  The Book of Bertrand is just the beginning, and religions evolve over time.  A quick check of the first centuries of Judaism, Christianity and Islam alone prove that the formation of a new religion is a tumultuous time.

But why vampires?  Why not a less dramatic plague like bird flu?  Because every new religion  at its beginning needs to confront pure evil.

But the biggest reason I’m adding another vampire apocalypse novel to the world, is because I enjoyed writing it.  I believe it was J.R.R. Tolkien who stated that he wrote novels that he would enjoy reading himself.  I enjoyed reading (and re-reading) the Book of Bertrand.  I really like Bertrand and his friends, and I can’t wait to write what happens in the next novel.

Apocalyptic Fiction Authors Beware

The Great Blackout of 2003 came without warning.  I was clacking away at my keyboard just wearing shorts because the mercury was high, and when a bead of sweat ran down my temple I  decided it was air conditioner time. But before I could even stand to head for the thermostat, my screen went blank and everything went silent.  That quiet was the eeriest part–no freezer or fridge hummed, the ballasts on the florescent lights no longer buzzed in the background.  My house and my computer had abruptly died.

My first thought was to call my wife–who was off with the kids visiting my mom far out in the suburbs–to tell her not to rush home for dinner.  My cell phone couldn’t find a signal–weird since I live downtown.   That was my first clue that this was more than a local blackout.  The landline worked, but after a quick chat with my wife I discovered the blackout was at least city-wide.  Now I was starved for information, so I dug eight C cells out that miraculously had enough charge left to operate a radio and got the next big surprise: static.  There wasn’t a single FM channel in operation, but I finally found an AM sports channel that had a working back-up generator, and the radio guy had all the excitement of a sportscaster as he described a multi-state, international blackout.  The whole north-east and a chunk of central Canada were suddenly living like it was 1799, except with cars–no traffic lights, just cars.  That was the day I learned that an electrical grid is a fragile construction.

Which is why it gets on my nerves when an author of an apocalyptic novel doesn’t understand that.  I’ve been reading a lot of them lately, since I write apocalyptic fiction myself, and I’ve been shocked by the ignorance.  In Hollowland most of humanity has been overtaken by a zombie plague, but some surviving humans  pump gas at a station in the middle of the desert.  Uh?  Just what’s powering the pump at this gas station?  Not electricity that’s for sure.

In another novel, Selection Event, 98% of the planet’s population dies from a flu virus while our lead character, Martin, is underground for a year-long psychology experiment.  When Martin comes back to the surface he heads to his parents’ house to see if they survived, and when he gets there he rings the doorbell and it works.  What?  Everyone died two months ago but the electrical grid is still up?

I tried to suspend my disbelief because areas around Niagara Falls continued to have power during the 2003 blackout thanks to smart power workers who isolated their section of the grid.  The Niagara Falls hydro-electric generation plants provide very reliable power.

But in Selection Event Martin discovers from old newspapers that environmentalists had lived long enough to blow up all the dams in the west in order to let “the rivers run free.”

Now if environmentalists lived long enough for tooling around with dynamite, surely nuclear power plant technicians had a little warning too.  Despite the Simpsons’ negative portrayal of nuke plant workers, those people actually take their jobs very seriously.  If they knew they were all dying of a flu, at the very least they’d put the plants into a safe shutdown mode.  Ditto for power plants fired by coal, gas or oil, cause you sure as hell wouldn’t want the explosions that go with unmonitored fossil fuel plants.  High pressure steam pipes just can’t be left unattended, and if they are things will go wrong very quickly.  These plants aren’t like the Starship Enterprise, which seems to need a massive crew but can be operated just by Captain Kirk in a pinch.

Don’t get me started on solar and wind, because these incredibly variable sources of power are destabilizing for a grid, creating unexpected power surges and deficits as clouds and wind vary.  They can’t provide a base load, and if other power sources are gone one surge will trip breakers everywhere on the grid, and there’s no one to reset them.

Now if just knocking one power plant offline could bring down the entire eastern seaboard, image what knocking out dozens of dams, nuke plants, coal and gas plants would do?  Hydro is probably the one source of power that could conceivably (although not likely) carry on for a few days without human monitoring, but that would have to be a section of the grid that is not interconnected with the national grid, and in this case the environmentalists had done away with that option.

So if you’re writing an apocalyptic novel, keep in mind that the first thing to go will be the electrical grid, and it will be gone in a matter of hours without human monitoring.  Once the power is gone the refineries shut down, so then you gradually lose the gasoline, and well, then it’s back to 1799, only with better guns.

To Blog or to Write: That is the Question

All the great success stories on Amazon–from Amanda Hocking to John Locke–have one thing in common: multiple books.  Joe Konrath says that writing multiple books is the most important thing a writer can do to advance her/his career.  John Locke also warns that there is nothing more frustrating than to have a product’s sales take off and not have anything else for an interested customer to purchase.  In the case of novels, it means that mountain you’ve climbed to promote one novel will have to be scaled again a year later for the next novel.

So I have to examine whether blogging, twittering and promoting is time well spent when I only have one novel and one anthology (in very different genres) up for sale.  What if I get lucky and people start buying Vampire Road in big numbers rather than the steady trickle of sales I get right now?  They might be ready to read more, and if there is nothing to buy until next year, they might forget my characters and move on to something else.

Time pressures are different for everyone.  I write quickly, but I can’t write a book in fifteen days like Amanda Hocking.  My kids eat up a lot of time in the evenings and on weekends, and I’m not going to short change them.  That’s a choice I’ve made.  But if I’m to finish The Book of Bertrand by mid-October and get it off to my editor, something has to give.

So I haven’t been blogging or twittering for the last couple of weeks, but I have been writing.  It’s been fun.  My editor and a couple of reviewers want to know more of the back story to Vampire Road, and The Book of Bertrand delivers.  The progression from computer nerd to saint is a torturous path with euphoric highs, desperate action and unintended consequences that will reverberate down the century to Vampire Road.

But I’m not stopping there.  There are four novels in this series, and I’m going to try and get as many of them up in the next few months as possible.  It’s a lot of work, but I believe the best thing I can do to promote Vampire Road is to have all the other novels in the series available for purchase.

I like blogging though, so I will try to post quick notes on Fridays, but I won’t be posting three of four times a week.  I’ve had to decide whether I’m a blogger or a writer, and novels are my preferred form of expression.

So I’m logging off to write, but I will keep you posted.  See you next Friday.

My Editor has My Other Baby

Fogel and I have been debating how e-books will affect freelance editors.  I’m guessing that people who want to indie e-publish will be swamping freelancers’ in-boxes with edit requests.  Fogel argues that freelance cover artists will get a lot of business, but freelance editors won’t.  She says:

“Most self-published e-books will fall into the same categories paper books do. There’ll be the professional writers who rerelease books that are out of print, and haven’t the rights to the original cover, or hated it. Then there’ll be the rank amateurs who have no business calling themselves writers and self-publish because no legitimate publisher will take them on. The former don’t need editors because the book’s finished; the latter won’t use them because they think they can write, but know they can’t draw.”

I’m sure some indie authors will fall into the Howett category, writers who simply can’t believe they need a substantive editor let alone a copy editor.  But Joe Konrath keeps pointing out that indie writers need two things: a good editor and a good cover artist.  I’m not the only indie author reading his blog.

Perhaps it’s because I’ve gone through the editing process so many times with my short stories, but I can’t imagine publishing without an editor.  So I’ve sent Fogel my other baby, the vampire novel, and I’ve got my fingers crossed that she won’t totally gut my heart out.

The good news is that she’s already read the first two chapters and written back that there are “no show-stoppers.”  From Fogel that’s high praise.

Fogel’s launched a website, but don’t hire her if you’re looking for the sort of praise you’d expect from a mother, cause you won’t be getting it.  You’ll be getting the unvarnished truth.  She doesn’t care about your feelings.  It’s why I chose her for my editor.

Priest Forces My Hand

The first hint of trouble came from a friend who had read and liked my vampire novels.  He sent an e-mail with a link to the website of the movie, Priest, and asked me if it sounded familiar.   The tone of the e-mail indicated he already knew the answer.

Three of the main components of that movie trailer are in my novel: walled cities, vampire armies and warrior priests.  Aside from that my novel is very different, but I know people will draw parallels between the two.

I admit vampire armies is not that original an idea.  I mean, if you make two vampires and they make two vampires and so on it’s pretty obvious that eventually humans will have to wall off their cities and fight swarms of vampires.

As for my protagonist belonging to a quasi-religious order–well priests have been fighting demons for centuries, and Hollywood has exploited that idea many times.

So I had to decide: slink away with my Priest-like vampire novel or go for it.  Then it occurred to me that this is a marketing dream.  When people ask what my novel is about, I can say that it’s Priest meets the Battle for Helms Deep from Lord of the Rings.

Okay, some of you won’t have a clue what I’m talking about, but the fans who would buy this type of novel will know exactly what I mean.

I can’t wait to see Priest, because I’m pretty sure that the movie’s high-tech take on vampire fighting is very different from my post-apocalyptic novel, where gunpowder is so scarce that people carry swords and cross bows as supplementary weapons, and gasoline engines are a thing of the distant past.

I’m also betting that I have the better story, but I’m judging the trailer so that may not be fair.

So here’s the plan: run my novel to my editor (God help me) and hire a cover artist.  This novel has already been through several readers, so hopefully Fogel won’t totally gut me.  By the release date of Priest, May 13th, I intend to launch my novel on Amazon.

It’s going to be a tight deadline, especially since the Toronto Marathon is on May 15th and I’m training five evenings a week, but it’s exciting.